Archives for posts with tag: optimism

In February, the Globe and Mail ran an article proclaiming the pending demise of eBook piracy. The nails in the coffin were eBook lending sites like Lendle. It took just over a month from that article for Amazon.com to put the breaks on that.

Now, Amazon’s lending restrictions on Lendle basically make lending eBooks an activity for speed readers who prefer random, unpopular books. I suppose in light of those events, eBook piracy will live a little longer. Especially if borrowing eBooks and eAudiobooks  legitimately continues to be unfriendly to users.

My personal experience with OverDrive (the unchallenged content software for eBook excited libraries) via the Ottawa Public Library hasn’t made me (and a lot of other people) optimistic . To download to an audiobook, it required so much hoop jumping and the installation of  software that I gave up. eBooks work a little easier, but it’s still not a smooth process.

Out of curiosity, I found the same audiobook on a popular torrent site in about 30 seconds. It had enough people actively sharing the file that it could have probably downloaded in a few hours. After which, were I so inclined, I’d have unlimited use of the audio files for as long as I wanted and on any platform I wanted.

I imagine the process on a Kindle or Kobo or whatever must be strikingly easier than using OverDrive. Publishers have a clear interest in making lending more difficult for libraries or collaboration minded groups of  individuals. The Globe article had a fairly telling quote on that matter:

Not all publishers are assured [about eBook lending sites, including libraries/OverDrive], including Macmillan U.S., whose president Brian Napack recently defended his company’s go-slow policy at a conference in New York. “The fear is I get one library card and never have to buy a book again,” he said.

If you want to make money, sharing (legal or otherwise) is the worst possible business model. So of course publishers want a few roadblocks.

But, those roadblocks essentially treat would-be borrowers as would-be pirates.  The outcome for users being one of three things, paying for the eBook, putting up with  second class free service/access at dwindling levels of quality, or pursuing less “legitimate” means of access. (I guess you could use a mix of these three.)

If past experience with the music industry has shown anything, it’s that increasingly draconian attitudes do not translate into sales. It seems to me, that those who pay for eBook access were going to pay anyways. Everyone else? Well, there are three choices.

The good people at The Register have declared the Bayeux Tapestry one heck of an effective archival medium:

In the town of Bayeux in northern France you can see the world’s oldest information archive based on a long ribbon of material, a very early example of what was to become tape media…

From the endurance point of view the Tapestry has lasted almost 1000 years – an amazing record. The vegetable dyes used to colour the threads have kept their colour for nearly one hundred decades, and the woven cloth fabric has kept its structural integrity for the same time period despite several instances of mistreatment. Who says ribbons of “TAPEstry” are unreliable?[read full article]

I’ve never thought of the tapestry this way.  Mostly, I know it from the opening to Robinhood Prince of Thieves.

Art as a mnemonic recall tool has been used the world over.  Anyone familiar with indigenous peoples’ land claim disputes in Canada knows how wampum belts can be used as legal/historical documents.

In a world where so much cultural production is high-tech and/or disposable,  history will always provide examples of lower-tech approaches that have an enduring quality.

There are some risks. The Bayeux tapestry requires a mix of other records to survive for us to understand it.  A series of floods and fires could have wiped its story off the historical map. Still, it gets points for lasting.

Will today’s digital repositories achieve this sort of longevity? Even in the last 50 years,  some digital records has slipped from our grasp because of fast moving technological developments.

The Bayeux Tapestry is a good reminder to keep things simple. It’s also a reminder that archiving information, though a fallible process at the mercy providence, is important in information saturated times such as these.

It’s not about preserving a single item, like the tapestry. It’s important to work to capture the information that makes any single item make sense. This is the ongoing challenge and the wonderful mission of archives.

the atwood machine at work

the Atwood Machine at work

Margret Atwood on the phenomenon of eBooks (via the Globe and Mail):

Every time there is a new medium, people get hypnotized by it: the printing press, radio, television, the Internet. It’s certainly a change in the world, which then somehow adapts. A whole section of society was very upset when zippers came in because they made it easier to seduce people in automobiles. You know, I think we’ve kind of adjusted to zippers by now. Just because you have a zipper doesn’t mean somebody has to unzip it … But you’re talking about e-books and e-readers and text in electronic form and the reading experience…

Well, it’s the Mad Hatter’s Tea Party. Everybody moves round a place. So the Book of the Month Club disappears and something else takes its share of the market. And then big publishers get in trouble and cut back, and that creates space for other publishers to acquire books they otherwise wouldn’t have been able to get.[read the whole interview]

It’s a bit of an odd interview. Atwood tries to take on the eBook issue from a writer’s perspective. The interviewer seems bent on getting her to declare eBooks and their kin to be a danger to society. Atwood doesn’t take the bait. Instead, she affirms eBooks as part of an ongoing evolution in communication technology.

I like how she ends the interview, responding to the question “Will the world be worse off if e-books fail?”:

Well, first let us picture what kind of event might lead to that: 1. Solar flares, which melt all the e-communication services. 2. Widespread plague, which is going to kill anyone running the companies that make them. So that being the case, I would say yes! That the world will be considerably worse off if, the next morning, you wake up and nobody’s reading anything on e-readers because the event that will have caused that is horrific!

There are people in the Library world who have adopted a sort of apocalyptic tone vis-a-vis eBooks. The full measure of what is lost and what is gained from technology shifts (c.f. the printing press ruined oral culture, but gave us the modern world, great books, etc. etc.) takes a while to shake down.

Atwood’s approach in this interview is a reminder that we don’t know what the full economic, cultural, and creative potential of the eBook will be. Or, how long that will take to come about.

***more on the Atwood Machine***

Reference Tshirt

I had some extra time last week, so I’ve been able to finally roll this out.

Fans of this site and of my Library Minimalism series can get in on the action.

You see, Drop the Reference Bomb’s merch store is now live!

Right now, there are posters, mugs, t-shirts, and totes that feature the best from my Library Minimalism prints. More items and prints will be added as inspiration and time allows, but I think I’m off to a good start.

Circulation Mug

Why Zazzle?

Because it’s customizable!

Don’t like the colour, fit, type of shirt? Want a stainless steel travel mug instead of a ceramic one? There are lots of options to choose from. I’ll start you off, but the final choice is up to you!

There are lots of library themed stuff out there, but I guarantee there’s not much like this! Plus, big spenders ($50 or more and not just at my store) from the US can get free shipping. I’ll also keep everyone posted about sales as they happen.

Cheers!

The Harper Colllins/OverDrive debate continues, and I want to pull from a couple blog posts that caught my attention. As the discussion continues to evolve more detailed notions about the problem are cropping up.

First, from The Brewin Librarian. He’s done some math to estimate what the HC style licence agreement means for his local library system.

Once I subtracted the CDs and DVDs from the circ numbers he gave me, I found 7566 items in our collection that had circulated 27 or more times. Just for kicks and giggles, I also identified that 942 items had circulated 53 times or more (we would have had to buy them twice).Jason ends up with a number of $12.99 average for an item, and although I agree with one of the comments on the post that $25 is probably a more accurate number, for argument’s sake I’ll use 12.99.

If we were to have to replace these materials under a 26 use policy, this would cost our library system $110,518.92. A number Logan tells me is very close to our total adult nonfiction budget for 2011.

That’s why public libraries are concerned. To give you an idea of how large of an impact this is– our collections budget was $1,135,664 in 2009, according to the statistics from Colorado’s Library Research Service. Throughout the state of Colorado for 2009, materials budgets ranged from $4,577,200 for the Denver Public Library system to a mere $232 for one small rural library. (Yes, you read that number right– TWO HUNDRED THIRTY TWO).[full post]

I like this. It’s good to put this discussion into a context of potential real costs for public libraries.

Matthew also hints at a larger issue.  I’m going to wager that a rural library with a budget that small has effectively been shut out of non-public domain ebooks. Besides the issue over licencing eBooks, real economic and geographic exclusion already exists and will likely be exasperated.

What are some alternatives? Some librarians are hatching manifestos to take control of the eBook market. From Steve Lawson’s blog See Also…:

The result is a plan for libraries to buy, lend, and preserve ebooks which looks like this:

  • Libraries will purchase e books from publishers or other sources. Libraries will not license ebooks.
  • Licenses are not necessary. The entire process will be based on copyright. The publishers’ control over the ebook ends the moment it is sold to the library…
  • Most libraries will employ a third party to be responsible for both access to and preservation of ebooks. Some libraries–probably very large public libraries or research libraries–may prefer to go it alone rather than contracting with such a service…
  • Most libraries will choose to add DRM to ebooks in the form of copy protection in order to satisfy publishers’ desires not to see unauthorized copies proliferate. Copy protection that is acceptable to libraries will be largely invisible, platform-independent, and will serve only to prevent the creation of additional complete unauthorized copies.
  • Copy protection must not interfere with readers’ rights to fair use.
  • Copy protection will never be applied by the publisher, but by the library, or by a third party hosting the ebooks under contract from the library…[full post]

These are all great points, but I’m not sure they’re wholly feasible. This sort of sweeping change will be hard and expensive to implement, and you will see the publishers throwing up roadblocks at every turn.

Since we’re on the issue of costs: how will public libraries pay for all this? What about standards across library systems? Who controls those standards? Oh, to be a private contractor with the know-how if libraries turn their back on the publishers to embrace schemes like this. Cha-ching.

In the end, if libraries are going to get a good deal out of all this, it will be important to identify a strong bargaining position with some leverage to it. I’m not sure Lawson’s quite got the right one, but the ideas will continue to evolve.

An interesting dispatch from a UK Librarian (Lauren of Walk You Home) about showing the value of Public Libraries to the hack/slash budget crowd.

She puts together a decent list, and then goes on to add:

This isn’t airy-fairy-bunkum or crazy-lefty-ideology (sorry, Mayor Davies) – this is about the fundamentals of society. Libraries are cultural, educational and civic hubs. They always have been, and they always should be. Information and information needs are changing, but information’s not going away, and nor are people! What isn’t clear, though, is how we can prove this to the bean-counters of the world (because sadly, they’re not going away either).

An awful lot of qualitative data has been pouring into the Voices for the Library inbox for several months now. We’ve been presenting it in different ways – stories, guest blog posts, a Mashup challenge, a Wordle about “what libraries mean to you“…

We’ve even had some offers of support from academic departments keen to do something with all the information we’ve been gathering. Hopefully there’ll be time at some point soon to take them up on the offer![full post]

Academic collaborations along these line are already taking place in the US, and some have produced results. Studies like these have to be helpful. Though it would imply there was an actual reasonable rational discussion taking place on the matter.  And, I’m not sure that real information is making it through the ideological clatter.

Still, a new set of portable metrics would be useful. I wonder why someone hasn’t sat down and put together a kit that public libraries can use to generate the sort of economic “straight talking” statistics and dollar amounts that carry water in policy/budget discussions.

There is momentum in that direction. Lauren’s going to what looks like a pretty interesting event on the subject.

…in a couple of weeks I will be taking part in a workshop entitled Measuring the Value of Public Libraries: The fallacy of footfall and issues as measures of the value of public  libraries. I’m really looking forward to it, and I hope that it will be a step away from the simplistic and inaccurate measurement of footfall (the number of people who walk through the doors, and occasionally the people who click on the council’s ‘library’ website) and issue statistics (book/cd/dvd lending), and towards more effective systems of measurement.

I’m jealous and would love to know what kinds of metrics they get into.

Crafty Space Invaders

The fervour stirred up by the HarperCollins eBook policy is pretty amazing, and well, sort of overwhelming. Just check out the #HCOD Twitter stream for an idea about how much there is to sift through.

I found at least one satirical luddite manifesto (beware Skynet!). I’ve never gone in much for Swiftian hyperbole, but they’re out there. For my part,  I prefer more irreverent, practical approaches. I like Boing Boing’s recent post showing how well HarperCollins print books hold up after 26 loans. 

Even though there’s so  much out there, this repsonse from Library Renewal’s blog resonated with me:

Sure, we can be outraged.  But that’s not going to help anybody, and it does not help our institutions, or our partners, to adapt to changing market conditions. If we want to continue to have access to commercial content, we need to go to the table and make deals with publishers, creators, and rightsholders who will work with us…

So what can we do, if not take our ball and go home? Start making the case… The case that libraries of all sizes must develop the technical and political infrastructure to negotiate for and host digital content on our terms.  The case that the publishing industry as it now stands could walk away from libraries en masse tomorrow and come out smelling like a rose… and that such a move may be inevitable as the squeeze continues… and the case that we can’t buy our way out of this problem, even if we had the money. We need to invent our way out of this problem, and adapt to changing market conditions with solutions that work for patrons, for libraries, and for creators.[full post]

Absolutely. It was a good thing to read when other releases like the one from Steve Potash (OverDrive CEO) were getting the high school radical in me totally riled up. Potash concluded his post this way:

…We will protect your ability to make informed choices and we will work with you to set the direction and policies that serve your customers’ interests.[read the full message]

It’s basically caveat emptor, and since libraries are the buyers in this scenario, he’s telling us we should be wary. Not unexpected, it’s hardly what I wanted to hear from the rising-star intermediary between public libraries and licenced eBook content. Read the rest of this entry »

Rule of Thirds

My weekly update came from LinkedIn today. Nowhere on the internet is a profile I more readily let languish. I’m not the only one.

Most of us are begrudgingly committed to LinkedIn because of the ongoing buzz as a job seach tool. Following the advice of the Internet, I need to spend that 45 minutes and update my LinkedIn profile. Afterall, not much looks worse these days than an out of date profile.

And, then what?

I find it hard to invest time in a social media tool that makes me feel like I need a tie and my interview face to use it. Not to mention, where do I find the time for it amongst my professional and personal responsibilities.

I’m not a full-time social media guru, after all. Like a lot of information professional, social media is important, but only one part of my professional reality. So, I’ve been thinking about a social media strategy that could work for me (and maybe you, too). Read the rest of this entry »

Egyptian Muesum Protected by Army Egypt’s been in the streets for a week now (and it’s clearly getting crazier). With the Egyptian Museum threatened and under the army’s protection, what about another valuable (albeit, less famous) cultural and knowledge centre: the reduxed Library of Alexandia.
Good news:

The library is safe thanks to Egypt’s youth, whether they be the staff of the Library or the representatives of the demonstrators, who are joining us in guarding the building from potential vandals and looters. I am there daily within the bounds of the curfew hours. However, the Library will be closed to the public for the next few days until the curfew is lifted and events unfold towards an end to the lawlessness and a move towards the resolution of the political issues that triggered the demonstrations.[from the BA’s site]

They’ve posted a photo gallery of citizens and librarians banding together to protect the building.

History shows that times of upheaval are not particularly kind to libraries and museums.

I have my fingers crossed that the outcome will be different this time. Here’s to speedy, safe(r), and democratic peace in Egypt.

I was going to get my PhD in English Literature at one point. It didn’t work out. I’m much happier being a librarian.

The video is via xtranormal, which offers tools for throwing together short animated videos for the web. Basically, if you can type, they say, you can make a movie. It’s pretty easy.

Is anyone using this for online book talks or web tutorials? It could be a great way to spice up your library site/blog.

I made the video below in about 5 minutes.