The Denver Post has put up an impressive set of colour photos from the 30s.

These images, by photographers of the Farm Security Administration/Office of War Information, are some of the only color photographs taken of the effects of the Depression on America’s rural and small town populations. The photographs and captions are the property of the Library of Congress and were included in a 2006 exhibit Bound for Glory: America in Color.[full post]

You can check out the Library of Congress’s digital exhibit here (Requires Silverlight… really? LoC’s going to make me use IE?)

I’m a sucker for old signage, but there’s lot more than that to see here. History buffs should check out the headlines posted in the photo below. It’s upsetting to hear that “Flying Santa Will be Delayed”, but there’s a more interesting one about Italy and Mussolini.

From Scott McCloud's book Understanding Comics (1994)

Recently, I came across a post from the Libraries and Transliteracy blog on a neat collaboration called You Media.

YouMedia, for those of you who don’t know, is an experiment between the Chicago Public LibraryDepaul University, and the Digital Youth Network

The YouMedia experiment is a 21st century teen learning space.  It is really a digital media lab.  But it is so much more.  The YouMedia folks recognize that technology alone will not save us.  The success of this experiment lies in the team that YouMedia has built.  Not only do the kids who use the space have access to librarians and library staff, but they also have access to mentors and instructors.  The mentors and instructors have expertise in the tools, in tapping into creativity, or in just listening to the kids.  They all have the goal of helping these patrons find their voices.  It is in these people that the success of YouMedia is built.

… YouMedia recently witnessed a major milestone.  While the research findings on the success or the failure of the experiment will take years to construct, the kids recently began providing solid anecdotal evidence pointing towards success.  One example of that evidence is the recent results of the Louder than a Bomb Youth Poetry Festival.  The winner of the contest was a young man who represents a YouMedia team of teens, and he even gives them credit.[full post]

For those who’re not familiar with the concept, Transliteracy is essentially the idea that literacy is not limited to simply being able to read print texts. It takes, the notion goes, a complex set of interacting literacies to be able to interpret and communicate what we experience, be it by book, movie, YouTube, bus rides, whatever.

Take for example the excerpt from Understanding Comics, above. Reading a comic book involves traditional text literacy, visual literacy (knowing the way comic strips work or what an abstracted human for is), and spacial literacy (understanding movement and action), and more (i.e. you need to sort of generally understand what a Transformers toy is to get what’s happening – Transformers literacy?).

Because of its multi-faceted approach, Transliteracy is an important concept for exploring how pedagogy and communication will evolve. Projects like YouMedia take this and apply it to make a learning and creative environment that combines traditional print books with new multi-media tools. This sort of mixed-media space is well suited for libraries because they are fast becoming mixed-media spaces anyways.

Libraries have already committed to the importance of core literacies (i.e. reading and being able to use a computer). This has never been more relevant. But, if libraries are poised to take this another step. Ideas like Transliteracy will be useful for building bridges beyond simply reading a book or using a computer.

Let’s just say my Friday started off a little predisastered and required some personal  consumer health reference services. Good thing I work in a science library.

But, that will not stop Library SoundTrack Fridays!

Ok. Let’s go. Cage the Elephant.


I love this opening riff. Cage the Elephant have recaptured something I remember loving about music when I was in high school (yeah, waaay back). Their sound is very 90s, without seeming dated. This is nice.

Swinging away from grungy, bombastic 90s guitar crunch to the Headlights. They’ve been in my congenial Indie pop for a few years now. They sound very British, but really they come from Chicago (a very cool city).
(Sorry about the weird Mormon add if you get one.)

I’m going to end with one of the best bands going right now in Canada: the Rural Alberta Advantage. A three piece, they’re able to whip out pretty epic, catchy tunes. Enjoy. Me, I’m going to go find an icepack…

academic awash in books

What do you mean... online?

A little alliteration makes for a good headline. An entirely alliterated title is huge.

Anyways, there is an interesting article from American Library Magazine on the news that Syracuse U. Library has backed down in the face of faculty ‘fury’ over moving some books to off-site storage.

Interestingly, the ALM article is a critique of one the biggest myths of academic library use: the serendipity of browsing the shelves.

Here are some points that jumped out at me:

Although today’s academic library users may feel that browsing is an ancient scholarly right, the practice is in fact no older than the baby-boomer faculty who so often lead the charge to keep books on campus. Prior to the Second World War, the typical academic library was neither designed nor managed to support the browsing of collections. At best, faculty might be allowed to browse, but it was the rare academic library that allowed undergraduates into the stacks. To this day academic-library special collections—real treasure troves for scholars in the letters and humanities—remain entirely closed to browsing…

If browsing does not have a long academic history, one could argue that it is still a desirable thing because it leads to serendipitous discoveries. The problem is that such serendipity depends on whatever happens to be on the shelf at the time of browsing. Because the books in highest demand are most likely to be in use and, thus, off the shelf, browsing academic library shelves is the equivalent of hitting the sale tables on day three of a three-day sale…[full article

Having done my share of work in academic libraries pursuing my own studies, I can’t say all this isn’t true.

There is something wildly capital R romantic about idly dragging your finger along titles in the stacks. But, in practical terms, these little excursions were more about the drama of the liberal arts academic lifestyle and not nearly as effective as actually learning to use OPACs and databases well (or getting in touch with librarians who were always ready to help out).

The article ends with a decent summary of the realities of the situation.

While the presence of books may help to send the message that one has entered a place of scholarship and thoughtfulness… there is no evidence to suggest that the presence of 2 million mostly unused books sends such a message any better than the presence of 200,000 heavily used books. Or that 200,000 books does the job better than 20,000. The notion that there is a relationship between the proximity of large numbers of books and the generation of scholarly thought is a close cousin to the ancient notion that piles of old rags cause the spontaneous generation of mice.

Even if it seems that the proponents of awe-inspiring onsite library collections are winning all the battles, they will eventually lose the war due to a single, unavoidable fact: Huge onsite collections have become an unsustainable luxury.

Old school academics: change is here and more is coming. Please adapt or get out of the way for those who will.

professor doing his research

Someone help me do this better.

The Harper Colllins/OverDrive debate continues, and I want to pull from a couple blog posts that caught my attention. As the discussion continues to evolve more detailed notions about the problem are cropping up.

First, from The Brewin Librarian. He’s done some math to estimate what the HC style licence agreement means for his local library system.

Once I subtracted the CDs and DVDs from the circ numbers he gave me, I found 7566 items in our collection that had circulated 27 or more times. Just for kicks and giggles, I also identified that 942 items had circulated 53 times or more (we would have had to buy them twice).Jason ends up with a number of $12.99 average for an item, and although I agree with one of the comments on the post that $25 is probably a more accurate number, for argument’s sake I’ll use 12.99.

If we were to have to replace these materials under a 26 use policy, this would cost our library system $110,518.92. A number Logan tells me is very close to our total adult nonfiction budget for 2011.

That’s why public libraries are concerned. To give you an idea of how large of an impact this is– our collections budget was $1,135,664 in 2009, according to the statistics from Colorado’s Library Research Service. Throughout the state of Colorado for 2009, materials budgets ranged from $4,577,200 for the Denver Public Library system to a mere $232 for one small rural library. (Yes, you read that number right– TWO HUNDRED THIRTY TWO).[full post]

I like this. It’s good to put this discussion into a context of potential real costs for public libraries.

Matthew also hints at a larger issue.  I’m going to wager that a rural library with a budget that small has effectively been shut out of non-public domain ebooks. Besides the issue over licencing eBooks, real economic and geographic exclusion already exists and will likely be exasperated.

What are some alternatives? Some librarians are hatching manifestos to take control of the eBook market. From Steve Lawson’s blog See Also…:

The result is a plan for libraries to buy, lend, and preserve ebooks which looks like this:

  • Libraries will purchase e books from publishers or other sources. Libraries will not license ebooks.
  • Licenses are not necessary. The entire process will be based on copyright. The publishers’ control over the ebook ends the moment it is sold to the library…
  • Most libraries will employ a third party to be responsible for both access to and preservation of ebooks. Some libraries–probably very large public libraries or research libraries–may prefer to go it alone rather than contracting with such a service…
  • Most libraries will choose to add DRM to ebooks in the form of copy protection in order to satisfy publishers’ desires not to see unauthorized copies proliferate. Copy protection that is acceptable to libraries will be largely invisible, platform-independent, and will serve only to prevent the creation of additional complete unauthorized copies.
  • Copy protection must not interfere with readers’ rights to fair use.
  • Copy protection will never be applied by the publisher, but by the library, or by a third party hosting the ebooks under contract from the library…[full post]

These are all great points, but I’m not sure they’re wholly feasible. This sort of sweeping change will be hard and expensive to implement, and you will see the publishers throwing up roadblocks at every turn.

Since we’re on the issue of costs: how will public libraries pay for all this? What about standards across library systems? Who controls those standards? Oh, to be a private contractor with the know-how if libraries turn their back on the publishers to embrace schemes like this. Cha-ching.

In the end, if libraries are going to get a good deal out of all this, it will be important to identify a strong bargaining position with some leverage to it. I’m not sure Lawson’s quite got the right one, but the ideas will continue to evolve.

Earlier this week, Boing Boing linked to a togetter stream of photos taken of shaken Japanese libraries. What a mess, but it’s better to have the library to put back together.

Also, while all this stuff is happening in Japan, but please don’t forget about Libya where the rebels are the verge of collapse.

Pol Pot

Say what you like; just spell my name right.

I was at a pub, hanging-out with my friend from the world of  journalism.

We were chatting with the bartender about off-the-beaten-track places to visit. Well traveled (actually a tour guide for a non-profit eco-tour company), she recommended Cambodia, because it’s cheap and less touristy than Thailand or Vietnam.

Cambodia is interesting in its own right, and our bartender led us on a short aural tour.  Some things I knew. Others were new to me.

Like this one: the infamous Pol Pot, was born Saloth Sar. He got his more commonly known name from a French professor who referred to Sar’s “Politique Potentielle.”  “Pol Pot” evolved from there. Apparently, he went to great lengths to conceal his birth name.

And, it was a chilling-face-of-evil’s-nom-de-guerre Reference Bomb! Bam!

Further Reading:

The Killing Fields – a great movie about journalists covering Pol Pot’s tragic/murderous return to “Year Zero
BBC article on the Pol Pot
Debate over the origins of Pol Pot’s name on Wikipedia

****

What is a reference bomb? Find out here!

Email me your Reference Bomb experience! info@dropthereferencebomb.com

I looked back on my first batch of Library Minimalism posters and wasn’t satisfied. I’ve learned a lot since starting this project and I wanted to go back to tweak my early efforts. In some cases, they became even MORE minimal. Behold.

I’ve got the retro worn look down pretty well. For those who don’t like that look: when I get the store up and running, you’ll be able to buy both distressed and clean prints.


An interesting dispatch from a UK Librarian (Lauren of Walk You Home) about showing the value of Public Libraries to the hack/slash budget crowd.

She puts together a decent list, and then goes on to add:

This isn’t airy-fairy-bunkum or crazy-lefty-ideology (sorry, Mayor Davies) – this is about the fundamentals of society. Libraries are cultural, educational and civic hubs. They always have been, and they always should be. Information and information needs are changing, but information’s not going away, and nor are people! What isn’t clear, though, is how we can prove this to the bean-counters of the world (because sadly, they’re not going away either).

An awful lot of qualitative data has been pouring into the Voices for the Library inbox for several months now. We’ve been presenting it in different ways – stories, guest blog posts, a Mashup challenge, a Wordle about “what libraries mean to you“…

We’ve even had some offers of support from academic departments keen to do something with all the information we’ve been gathering. Hopefully there’ll be time at some point soon to take them up on the offer![full post]

Academic collaborations along these line are already taking place in the US, and some have produced results. Studies like these have to be helpful. Though it would imply there was an actual reasonable rational discussion taking place on the matter.  And, I’m not sure that real information is making it through the ideological clatter.

Still, a new set of portable metrics would be useful. I wonder why someone hasn’t sat down and put together a kit that public libraries can use to generate the sort of economic “straight talking” statistics and dollar amounts that carry water in policy/budget discussions.

There is momentum in that direction. Lauren’s going to what looks like a pretty interesting event on the subject.

…in a couple of weeks I will be taking part in a workshop entitled Measuring the Value of Public Libraries: The fallacy of footfall and issues as measures of the value of public  libraries. I’m really looking forward to it, and I hope that it will be a step away from the simplistic and inaccurate measurement of footfall (the number of people who walk through the doors, and occasionally the people who click on the council’s ‘library’ website) and issue statistics (book/cd/dvd lending), and towards more effective systems of measurement.

I’m jealous and would love to know what kinds of metrics they get into.

The week’s round-up of the musical additives to my library life starts with the Low Anthem. It’s been a long time since I’ve been so intrigued by a song. This one explodes out of what is mostly a dreamy, drifting album.

It’s an interesting twist through a couple wisps of the American subconscious. Check out the lyrics. I usually don’t, but I couldn’t resist on this one..

I’ve had a cold all week, so I’ve been a little more dower in spirits than normal. In such times, Billy Bragg and Wilco‘s Mermaid Avenue (a collection of re-imagined, unreleased Woody Guthrie songs) makes it onto my daily rotation. It’s uplifting, sometimes mournful, but start to finish just wonderful.

And, I’ll end with some classic stuff. Woody Guthrie is what he is. Go and find his Library of Congress Recordings, you’ll see. Anyways, this song is a shout out to the brothers and sisters of Wisconsin. The struggle continues.

Oh, and what the heck, one more.

One big union, people.