Archives for posts with tag: online

Have you heard the news?

Recently, Wired magazine declared the death of the web:

You wake up and check your email on your bedside iPad — that’s one app. During breakfast you browse Facebook, Twitter, and The New York Times — three more apps. On the way to the office, you listen to a podcast on your smartphone. Another app. At work, you scroll through RSS feeds in a reader and have Skype and IM conversations. More apps. At the end of the day, you come home, make dinner while listening to Pandora, play some games on Xbox Live, and watch a movie on Netflix’s streaming service.

You’ve spent the day on the Internet — but not on the Web. And you are not alone.

This is not a trivial distinction. Over the past few years, one of the most important shifts in the digital world has been the move from the wide-open Web to semiclosed platforms that use the Internet for transport but not the browser for display. It’s driven primarily by the rise of the iPhone model of mobile computing, and it’s a world Google can’t crawl, one where HTML doesn’t rule. And it’s the world that consumers are increasingly choosing, not because they’re rejecting the idea of the Web but because these dedicated platforms often just work better or fit better into their lives (the screen comes to them, they don’t have to go to the screen). The fact that it’s easier for companies to make money on these platforms only cements the trend. Producers and consumers agree: The Web is not the culmination of the digital revolution.[full article]

Or in Clue-speak:  it was the User in the Internet with the App.

Declaring things dead doesn’t have the same bombast it used to, and it’s not entirely new news. Web 2.0 has been pushing it’s way into the Internet-user’s life for a few years now, and Wired is talking about the logical extension of that trend.

But, the article makes an important distinction between “browsing” and “getting.” This has to do with the rise apps-based user expectations and an achieved critical mass of online-content. I think browsing was useful in the past because there was no guarantee anything you wanted was out there. Now, Internet-savvy users are  surprised when something is NOT online. So, it’s not about finding, it’s about retrieving.

Libraries should play close attention to this, not because we’re not in the information/content retrieving business. This is what a good library does well, after all.

The issue at stake is competition.

The barriers to entry in the library’s field of online content delivery (eBooks, reference information, audio books, etc.) have been knocked down or scaled by competition that doesn’t share the same value system, operations cost, or even expectations of open access.

Again, this is not new news, just more pressure on libraries to innovate.

Looking for a counter-point? Try What’s Wrong With ‘X Is Dead’, from the Atlantic

The Denver Post has put up an impressive set of colour photos from the 30s.

These images, by photographers of the Farm Security Administration/Office of War Information, are some of the only color photographs taken of the effects of the Depression on America’s rural and small town populations. The photographs and captions are the property of the Library of Congress and were included in a 2006 exhibit Bound for Glory: America in Color.[full post]

You can check out the Library of Congress’s digital exhibit here (Requires Silverlight… really? LoC’s going to make me use IE?)

I’m a sucker for old signage, but there’s lot more than that to see here. History buffs should check out the headlines posted in the photo below. It’s upsetting to hear that “Flying Santa Will be Delayed”, but there’s a more interesting one about Italy and Mussolini.


Another entry in the Library Minimalism category: Virtual Reference.

Though, I suppose if an actual poster looked this rough and was hanging in your library, you’d want to replace it. Or, more likely you’d want watch out for wandering hordes of mutants.

I swear I’ll get back to regular posts soon, but these minimalist pictures are just so much darn fun.

Crafty Space Invaders

The fervour stirred up by the HarperCollins eBook policy is pretty amazing, and well, sort of overwhelming. Just check out the #HCOD Twitter stream for an idea about how much there is to sift through.

I found at least one satirical luddite manifesto (beware Skynet!). I’ve never gone in much for Swiftian hyperbole, but they’re out there. For my part,  I prefer more irreverent, practical approaches. I like Boing Boing’s recent post showing how well HarperCollins print books hold up after 26 loans. 

Even though there’s so  much out there, this repsonse from Library Renewal’s blog resonated with me:

Sure, we can be outraged.  But that’s not going to help anybody, and it does not help our institutions, or our partners, to adapt to changing market conditions. If we want to continue to have access to commercial content, we need to go to the table and make deals with publishers, creators, and rightsholders who will work with us…

So what can we do, if not take our ball and go home? Start making the case… The case that libraries of all sizes must develop the technical and political infrastructure to negotiate for and host digital content on our terms.  The case that the publishing industry as it now stands could walk away from libraries en masse tomorrow and come out smelling like a rose… and that such a move may be inevitable as the squeeze continues… and the case that we can’t buy our way out of this problem, even if we had the money. We need to invent our way out of this problem, and adapt to changing market conditions with solutions that work for patrons, for libraries, and for creators.[full post]

Absolutely. It was a good thing to read when other releases like the one from Steve Potash (OverDrive CEO) were getting the high school radical in me totally riled up. Potash concluded his post this way:

…We will protect your ability to make informed choices and we will work with you to set the direction and policies that serve your customers’ interests.[read the full message]

It’s basically caveat emptor, and since libraries are the buyers in this scenario, he’s telling us we should be wary. Not unexpected, it’s hardly what I wanted to hear from the rising-star intermediary between public libraries and licenced eBook content. Read the rest of this entry »

library closed

From Stephen’s Lighthouse:

The movement to subscription models has some benefits:

1. You’re not locked in forever (or until it wears out) as a purchase can sometimes do.
2. You have the opportunity to offload the ‘keeping up-to-date factor’ on things that need replacing too often at high initial cost (software, servers, devices, etc,) or upgrade with annoying rapidity (like software and phone models).
3. You want to spread your investment out evenly in the annual budget over many years instead of investing in risky decisions that have higher upfront costs and commitments to servers vs browser access.
4. You want to reduce the risk of making a poor decision and committing to one choice that may be overtaken by innovation, trends, competition, time and events.
5. Access to bigger collections at less cost per user annually (like with the periodical experience)
6. Aggregated relationships with book publishers as has happened with periodical article access and standardization of e-formats and metadata and OpenURL compliance, etc.
7. Bulk influence on copyright and licensing of larger assemblages of content (a la Tasini, etc.)
8. Etc.[full blog post]

The last “etc.” could stand for the benefit of being subject to easily changed (by the vendor) terms of use of agreements (c.f. my earlier post on the HarperCollins kerfuffle, a kerfuffle, it should be observed, that could include a great many other vendors).

In fact, though thoroughly optimistic, Abrams’ list is also very one-sided. It’s not hard to imagine why – he is the VP Strategic Partnerships and Markets for Gale Cengage.  EBook sales are his business.  Read the rest of this entry »

From LISNews: Librarian News:

Library users, librarians, and libraries have begun to boycott publisher HarperCollins over changes to the terms of service that would limit the ability of library users to borrow ebooks from libraries. A new website, BoycottHarperCollins.com, is helping to organize their efforts to get HarperCollins to return to the previous terms of service.

On February 24, Steve Potash, the Chief Executive Officer of OverDrive, sent an email to the company’s customers — primarily US libraries — announcing that some of the ebooks they get from OverDrive would be disabled after they had circulated 26 times. Soon after, librarians learned that it was HarperCollins, a subsidiary of News Corporation (NWSA), that intended to impose these limits.
Immediately, library users, librarians, and libraries began voicing their opposition to the plan by HarperCollins, with several library users and librarians urging a boycott.[full article]

26 times? I think the days of touting the freedom and ease of access of eBooks via libraries are coming to a middle. The recent excitement over rising eBook usage glosses over the implications of events like Kindle’s Orwellian muck-up a year or so ago.

A face-off with a vendor has been brewing for a while, and more are sure to follow.

EBook providers are going to switch to increasingly intransigent and limiting terms because they sense threats to their profits from other directions, such as piracy. Frustratingly, HarperCollins’ policy and others like it will slowly throttle a library’s ability to supply eBooks conveniently (for the user and the library) and affordably (for the library).

If eReaders continue to boom, and they likely will, people could choose to absorb the cost of eBooks themselves for the sake of quick access. This is unfortunately probable, since people who can afford an eReader of any sort can likely afford the cost of compatible books (related demographic info).

The outcome could be rough. Libraries will eventually loose any iniative  they’ve gained on this front and could be pushed out as an eBook access point. And, as new technology eventually surpasses print, public libraries could end up standing on a fairly bleak precipice.

Enough, doom saying. The collective weight of librarians, library users, and other supporters could roll this trend back. Visit www.boycottharpercollins.com and get involved.

Rule of Thirds

My weekly update came from LinkedIn today. Nowhere on the internet is a profile I more readily let languish. I’m not the only one.

Most of us are begrudgingly committed to LinkedIn because of the ongoing buzz as a job seach tool. Following the advice of the Internet, I need to spend that 45 minutes and update my LinkedIn profile. Afterall, not much looks worse these days than an out of date profile.

And, then what?

I find it hard to invest time in a social media tool that makes me feel like I need a tie and my interview face to use it. Not to mention, where do I find the time for it amongst my professional and personal responsibilities.

I’m not a full-time social media guru, after all. Like a lot of information professional, social media is important, but only one part of my professional reality. So, I’ve been thinking about a social media strategy that could work for me (and maybe you, too). Read the rest of this entry »

Via @NYPLMaps (New York Public Library’s Map Division).

Conductor: www.mta.me from Alexander Chen on Vimeo.

From Chen’s site:

Conductor turns the New York subway system into an interactive string instrument. Using the MTA’s actual subway schedule, the piece begins in realtime by spawning trains which departed in the last minute, then continues accelerating through a 24 hour loop. The visuals are based on Massimo Vignelli’s 1972 diagram.

A  mesmerizing way to re-present geographic information. It also reminds me of video games (gotta love SNAFU) I played back in the Eighties.

For anyone not hip to it, the NYPL’s Map Division has been tweeting an online map of the day. Cartographophiles (a word?)  like me can dig it. But, if one new map a day isn’t enough, why not look at their digital collection and drool.

A lonely man on the four square field.

A random lonely man on the four square field.

The below infographic has been bumping around (It came to me via Stephen’s Lighthouse, who got it here.).

four square growing

It’s good news for Four Square. Is it good news for us? Is it yet another social media time drain we have to adopt to survive online?

At the moment, I personally don’t really get Four Square. Why would someone want to be mayor of a retail outlet, like Starbucks or wherever?

In that light, Four Square looks like a thin game layer draped over an overt marketing carrot-and-stick. Looking at the top check-ins that the infographic lists, it’s clear that Four Square wants to make sure businesses see the value.

Four Square could be a new outlet for vacuos, vain consumer culture. But, that’s what people we were saying about Twitter a couple short years ago.

As one friend noted, Egyptians are using the Internet to free their country and we’re using it to show we went to Wendy’s. That’s the point. It took a few years for people to find ways to do such impressive things with  Twitter and Facebook.

I may not start my Four Square account this weekend. I’m still not completely sold on Twitter (but it’s growing on me). There is a part of me that will try anything (at least for a while) once I have the time.

Should libraries get in on Four Square?

There are so many competing social media demands, that taking on a new platform can drain other efforts. It’s important to weigh the cost/benefits of getting involved and to develop a manageable, adaptable, and achievable strategy.

Librarians are already hatching ideas and talking about it.

 

Pins I make!There are two things I can speak on with a certain amount of moderate professional authority: library stuff and making t-shirts.

Besides a budding LIS-worker, I am the owner and operator of Winged Beast Outfitters. What is Winged Beast Outfitters? It’s a graphic-fashion-design side project I started back when I was teaching. I sort of love it. Besides being a creative outlet, it’s sort of like playing Civilisation (except the game’s hooked up to my wallet).

The 2011 season starts this weekend (in Montreal for those who are interested in coming by).  It’s set to be a great show in a new venue for me. I’ll have some new products, and the return of old favourites is inevitable.

It’s not all bliss. Reconciling my lovely small business and my library career can be a challenge. I’m not just talking about time management and work-day focus (there’s lots of stock, reasonable tips on that). It can be hard, but I have a good handle on that.

I’m talking job search.

In interviews, I’ve often left my business out because it complicates the message I want to give potential employers. Or when it does come up, I get so excited it can railroad my answers.

Not to mention that Winged Beast Outfitters, or any small business, does not always fit easily onto a resume. In my case, it’s not LIS work. Because it now overlaps a lot of my previous  professional experience, the time-line looks funky on the page. It seems to muddle the flow of my resume and draw away from my LIS experience.

I really do believe there is tons of crossover relevance. All the project management, financial planning, event organizing, customer service and research skills are there and in full force, not to mention social media, marketing and web-design! And there’s record analysis(sales reports and trends) user needs analysis (seriously, you have to know your audience to an almost intuitive degree). And frankly, you have got to be self-motivated and creative to even stay half-way afloat. Read the rest of this entry »